Tag: Belle Vue Manchester

Several of the letters published in the Ashton Reporter from the men of the 9^th Battalion Manchester Regiment make reference to “Belle Vue”, which was a famous local amusement park in West Gorton, Manchester. For example, take the letter written by Private Tom Littleford, to his mother, and published in the Reporter on Saturday July 17, 1915:

 “Private Jas. Ryder has had one or two narrow escapes. One day, when they were taking us in the trenches, a bullet took his hat straight off his head, and another bullet lodged in the overcoat, which was strapped on his back. Both night and day shrapnel shells are bursting around us. Talk about Belle Vue, it isn’t in it. When we were at home they called the Territorials England’s last hope, but we are England’s first aid at present”.

But in this case, the references to Belle Vue were specifically comparing the real world experience of battle they were now witnessing first-hand to those re-enacted in “Pyrodramas” at Belle Vue that they and their friends and family had seen together in happier times.

Belle Vue Main Entrance 1953

Courtesy Chetham's Library, Manchester

The founder and driving force behind Belle Vue was John Jennison (1790-1869) who bought the original 36 acre site, off Hyde Road and Kirkmanshulme Lane. Belle Vue opened in 1836, expanded over time and eventually occupied 165 acres. At the height of its popularity, 2 million people visited every year.

Belle Vue Plan 1892

By Foreign and Commonwealth Office Collection (Contributed by: The University of Manchester, The John Rylands University Library)

In 1851, Jennison, visited the Great Exhibition in London and whilst there, paid a visit to Surrey Zoological Gardens. It was here that he witnessed a ‘stupendous Diaphanic Panopticon’, which portrayed the horrors of war. Described in publicity of the time as a ‘gigantic panorama’ it measured 200 feet in length, and had figures 15 feet in height, and ‘was ‘the first ever attempted.’ Constantly looking for new ways to attract the public, on his return to Manchester Jennison formulated a plan to dramatically increase the quality, and expand the scale and visual impact of his own static panorama displays.

Edwardian Visitors to the Static Panorama

Courtesy Chetham's Library, Manchester

He envisioned large firework shows presented against the backdrop of a huge painted canvas representing a famous historical or contemporary event. He hired George Danson, (of Messrs. Danson), who had created the Surrey Zoological Gardens panorama which so impressed him, to come to Manchester and create the sets for the Belle Vue Pyrodramas. Danson constructed enormous backdrops, 300 feet wide and 60 feet high, hand-painted in the open air by professional artists who, for the rest of the year, worked in the Royal Opera House and the theatres of Covent Garden and Drury Lane. These backdrops were then installed on the “firework island” that formed the setting for the dramatic orchestrated shows, punctuated by fireworks and acted out by ever larger casts of actors. So successful were the Pyrodramas that Danson, and his sons, Thomas and Robert Danson, would come back to Manchester and paint them for each of the next 44 years.

Belle Vue Zoological Gardens Handbill, 1900 Season

Courtesy Chetham's Library, Manchester

Pyrodramas were included in the price of admission and visitors could watch from what used to be an open air dance floor or could pay extra to watch from an elevated viewing platform. The Pyrodramas were spectacular and turned out to be immensely popular, watched by tens of thousands each year, and their addition as an attraction in the zoological gardens helped secure the financial future of Belle Vue.

Battle of Blenheim, 1907 Season

Courtesy Chetham's Library, Manchester

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The first of the Pyrodramas was “The Bombardment of Algiers” in 1852 and the sequence of shows through 1926 are outlined below:

List of Representations at Belle Vue Manchester from 1852-1924

Courtesy Chetham's Library, Manchester

By 1923 the themes of the Pyrodramas changed from well-known military actions to less militaristic depictions, not wholly surprising after a run of 70 consecutive annual shows, and perhaps reflecting a change in public appetites after the great war. The last Pyrodrama produced at Belle Vue was “Robin Hood” in 1956.

In 1925, Belle Vue Zoological Gardens was sold to a London-based syndicate and during the 1950s it was purchased by the hotel and catering conglomerate, the Forte Group. As anyone of a certain age from Manchester can tell you, Belle Vue continued to be quite a popular local destination and an amusement park, miniature railway and speedway racing were added to the list of attractions. But by the 1970s, Belle Vue entered a death spiral as other more popular public attractions became available and attendances dwindled. Belle Vue finally closed for good in 1979.

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